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Amedeo Modigliani
During the early 1900s in Paris, the Italian painter and sculptor Amedeo Modigliani, b. July 12, 1884, d. Jan. 24, 1920, developed a unique style. Today his graceful portraits and lush nudes at once evoke his name, but during his brief career few apart from his fellow artists were aware of his gifts. Modigliani had to struggle against poverty and chronic ill health, dying of tuberculosis and excesses of drink and drugs at the age of 35. In 1906, Modigliani settled in Paris, where he encountered the works of Henri de Toulouse-Lautrec, Georges Rouault, and Pablo Picasso (in his "blue period") and assimilated their influence, as in The Jewess (1908; private collection, Paris). The strong influence of Paul Cezanne's paintings is clearly evident, both in Modigliani's deliberate distortion of the figure and the free use of large, flat areas of color. His friendship with Constantin Brancusi kindled Modigliani's interest in sculpture, in which he would continue his very personal idiom, distinguished by strong linear rhythms, simple elongated forms, and verticality. Head (1912; Guggenheim Museum, New York City) and Caryatid (1914; Museum of Modern Art, New York City) exemplify his sculptural work, which consists mainly of heads and, less often, of full figures. After 1915, Modigliani devoted himself entirely to painting, producing some of his best work. His interest in African masks and sculpture remains evident, especially in the treatment of the sitters' faces: flat and masklike, with almond eyes, twisted noses, pursed mouths, and elongated necks. Despite their extreme economy of composition and neutral backgrounds, the portraits convey a sharp sense of the sitter's personality, as in Moise Kisling (1915; private collection, Milan). A fine example of Modigliani's figure paintings is a reclining Nude (1917; Guggenheim Museum), an elegant, arresting arrangement of curved lines and planes as well as a striking idealization of feminine sexuality.
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Futurism
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Renaissance
Rococo
Romanticism
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Tonalism
Victorian Classicism
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Abstract抽象
Animal动物
Architecture建筑
Black art暗黑艺术
Christianity基督教
Fantasy & Mythology神秘奇幻
Figure & Portrait人物
Floral & Vase花卉
Food & Fruit食物水果
Garden & Country花园乡村小屋
Indoor室内
Landscape风景
Military & War战争
Music & Dancer音乐舞蹈
Paintings of Paintings画中有画
Palace(宫廷）
Plant & Botanical绿植
Pop Art & Vintage波普仿古
Religion & Philosophy宗教哲学
Sculpture & Status雕像
Seascape & Stream海景水景
Sport & Game体育游戏
Still life静物
Street & Road街道
Transportation交通工具
Wild West美国西部
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Girl on a Chair aka Mademoiselle Huguette
Girl on a Chair aka Mademoiselle Huguette
Amedeo Modigliani
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Price: $170.50
Nude with Necklace
Nude with Necklace
Amedeo Modigliani
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Price: $215.00
Portrait of Jean Cocteau
Portrait of Jean Cocteau
Amedeo Modigliani
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Price: $167.50
Roger Dutilleul
Roger Dutilleul
Amedeo Modigliani
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Price: $170.00
Anna Hanka Zborowska
Anna Hanka Zborowska
Amedeo Modigliani
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Price: $167.36
Nu couch de dos
Nu couch de dos
Amedeo Modigliani
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Price: $213.27
Almaisa
Almaisa
Amedeo Modigliani
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Price: $173.01
Pierre Edouard Baranowski
Pierre Edouard Baranowski
Amedeo Modigliani
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Price: $182.69
The Blue Blouse
The Blue Blouse
Amedeo Modigliani
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Price: $167.34
Nude with Hat
Nude with Hat
Amedeo Modigliani
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Price: $168.22
The Servant
The Servant
Amedeo Modigliani
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Price: $167.42
Portrait of Chaim Soutine detail
Portrait of Chaim Soutine detail
Amedeo Modigliani
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Price: $167.36
Beggar Woman
Beggar Woman
Amedeo Modigliani
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Price: $167.61
Sitting female nude
Sitting female nude
Amedeo Modigliani
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Price: $170.00
Portrait of Beatrice Hastings before a door
Portrait of Beatrice Hastings before a door
Amedeo Modigliani
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Price: $176.52
Jean Alexandre
Jean Alexandre
Amedeo Modigliani
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Price: $167.80
Burgundian Woman
Burgundian Woman
Amedeo Modigliani
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Price: $167.99
Thora Klinckowstrom
Thora Klinckowstrom
Amedeo Modigliani
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Price: $170.00
Portrait of Blaise Cendrars
Portrait of Blaise Cendrars
Amedeo Modigliani
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Price: $167.89
Beatrice Hastings Leaning on Her Elbow
Beatrice Hastings Leaning on Her Elbow
Amedeo Modigliani
+ Choose Size & Frame
Price: $173.01
Amedeo Modigliani
During the early 1900s in Paris, the Italian painter and sculptor Amedeo Modigliani, b. July 12, 1884, d. Jan. 24, 1920, developed a unique style. Today his graceful portraits and lush nudes at once evoke his name, but during his brief career few apart from his fellow artists were aware of his gifts. Modigliani had to struggle against poverty and chronic ill health, dying of tuberculosis and excesses of drink and drugs at the age of 35. In 1906, Modigliani settled in Paris, where he encountered the works of Henri de Toulouse-Lautrec, Georges Rouault, and Pablo Picasso (in his "blue period") and assimilated their influence, as in The Jewess (1908; private collection, Paris). The strong influence of Paul Cezanne's paintings is clearly evident, both in Modigliani's deliberate distortion of the figure and the free use of large, flat areas of color. His friendship with Constantin Brancusi kindled Modigliani's interest in sculpture, in which he would continue his very personal idiom, distinguished by strong linear rhythms, simple elongated forms, and verticality. Head (1912; Guggenheim Museum, New York City) and Caryatid (1914; Museum of Modern Art, New York City) exemplify his sculptural work, which consists mainly of heads and, less often, of full figures. After 1915, Modigliani devoted himself entirely to painting, producing some of his best work. His interest in African masks and sculpture remains evident, especially in the treatment of the sitters' faces: flat and masklike, with almond eyes, twisted noses, pursed mouths, and elongated necks. Despite their extreme economy of composition and neutral backgrounds, the portraits convey a sharp sense of the sitter's personality, as in Moise Kisling (1915; private collection, Milan). A fine example of Modigliani's figure paintings is a reclining Nude (1917; Guggenheim Museum), an elegant, arresting arrangement of curved lines and planes as well as a striking idealization of feminine sexuality.

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