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Canaletto
Giovanni Antonio Canal (28 October 1697 - 19 April 1768) better known as Canaletto, was an Italian painter of landscapes, or vedute, of Venice. He was also an important printmaker in etching.He was born in Venice as the son of the painter Bernardo Canal, hence his mononym Canaletto ("little Canal"), and Artemisia Barbieri. Bernardo Bellotto was his nephew and pupil. Canaletto served his apprenticeship with his father and his brother. He began in his father's occupation, that of a theatrical scene painter. Canaletto was inspired by the Roman vedutista Giovanni Paolo Pannini, and started painting the daily life of the city and its people. Much of Canaletto's early artwork was painted "from nature", differing from the then customary practice of completing paintings in the studio. Some of his later works do revert to this custom, as suggested by the tendency for distant figures to be painted as blobs of colour - an effect produced by using a camera obscura, which blurs farther-away objects. However, his paintings are always notable for their accuracy: he recorded the seasonal submerging of Venice in water and ice. Canaletto's early works remain his most coveted and, according to many authorities, his best. One of his early pieces is The Stonemason's Yard (1729, London, the National Gallery) which depicts a humble working area of the city.Many of his pictures were sold to Englishmen on their Grand Tour, often through the agency of the merchant Joseph Smith (who was later appointed British Consul in Venice in 1744). He remained in England until 1755, producing views of London (including the new Westminster Bridge) and of his patrons' castles and houses. His 1754 painting of Old Walton Bridge includes an image of Canaletto himself.After his return to Venice, Canaletto was elected to the Venetian Academy in 1763. He continued to paint until his death in 1768. In his later years he often worked from old sketches, but he sometimes produced surprising new compositions. He was willing to make subtle alternations to topography for artistic effect.
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Canaletto
Giovanni Antonio Canal (28 October 1697 - 19 April 1768) better known as Canaletto, was an Italian painter of landscapes, or vedute, of Venice. He was also an important printmaker in etching.He was born in Venice as the son of the painter Bernardo Canal, hence his mononym Canaletto ("little Canal"), and Artemisia Barbieri. Bernardo Bellotto was his nephew and pupil. Canaletto served his apprenticeship with his father and his brother. He began in his father's occupation, that of a theatrical scene painter. Canaletto was inspired by the Roman vedutista Giovanni Paolo Pannini, and started painting the daily life of the city and its people. Much of Canaletto's early artwork was painted "from nature", differing from the then customary practice of completing paintings in the studio. Some of his later works do revert to this custom, as suggested by the tendency for distant figures to be painted as blobs of colour - an effect produced by using a camera obscura, which blurs farther-away objects. However, his paintings are always notable for their accuracy: he recorded the seasonal submerging of Venice in water and ice. Canaletto's early works remain his most coveted and, according to many authorities, his best. One of his early pieces is The Stonemason's Yard (1729, London, the National Gallery) which depicts a humble working area of the city.Many of his pictures were sold to Englishmen on their Grand Tour, often through the agency of the merchant Joseph Smith (who was later appointed British Consul in Venice in 1744). He remained in England until 1755, producing views of London (including the new Westminster Bridge) and of his patrons' castles and houses. His 1754 painting of Old Walton Bridge includes an image of Canaletto himself.After his return to Venice, Canaletto was elected to the Venetian Academy in 1763. He continued to paint until his death in 1768. In his later years he often worked from old sketches, but he sometimes produced surprising new compositions. He was willing to make subtle alternations to topography for artistic effect.
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