Free Shippping World Wide! 2024 Christmas Sales: 35% Off for $100+! Coupon Code: 24XmasCode

+1-888-472-1867

Home  /  Artists  /  Henry Moret
Henry Moret
Henry Moret (12 December 1856, Cherbourg – 5 May 1913, Paris) was a French Impressionist painter. He was one of the artists who associated with Gauguin at Pont-Aven in Brittany. Moret first exhibited at the Paris Salon in 1880, presenting La plage de Locqueltas à marée basse; côte de Bretagne. He maintained contacts with Corroller, often returning to Brittany. In 1888, he arrived in Pont-Aven which had begun to attract a number of artists including Ernest de Chamaillard, Émile Jourdan, and Charles Lavant, with Paul Gauguin playing the leading role. Moret was one of the first painters to move to nearby le Pouldu which soon became the new centre of attraction for the Pont-Aven artists. His work began to show signs of Symbolism, probably as a result of Gauguin's influence. After Gauguin left the area in 1891, Moret began to develop his own style. In 1895, he established a fruitful relationship with Paul Durand-Ruel who maintained a number of galleries in Paris, London and New York, with an emphasis on Impressionism. During their relationship, Moret completed over 600 paintings, many of which were exhibited in Paris and New York leading to a growing clientele for his work. Moret also exhibited seven of his Breton paintings at the Salon des Indépendants. After 1900, Moret became more immersed in Impressionism, applying small flecks of paint to his work rather than the broad strokes favoured by the Pont-Aven artists. Increasingly he focused on landscapes where his light effects can be seen in the sunsets and storm scenes he painted around 1909. In addition to his oils for Durand-Ruel, he also completed some 800 watercolours and drawings.
more
If can not find the art you are searching for, pls use “Request A Quote” to send us your request. We can paint any picture in any size.
FILTER
Style
Abstract Expressionism
Academic Classicism
Aestheticism
Art Nouveau
Ashcan School
Barbizon School
Baroque
Byzantine art
Classicism
Colonial Era
Cubism
Expressionism
Futurism
Golden Age of Illustration
Gothic Art
Hudson River School
Impressionism
Mannerism
Naturalism
Neoclassicism
Newlyn School
Northern Renaissance
Orientalism
Post Impressionism
Pre Raphaelite Brotherhood
Realism
Renaissance
Rococo
Romanticism
Sculptor
Symbolism
Tonalism
Victorian Classicism
Western Art
Subject
Abstract抽象
Animal动物
Architecture建筑
Black art暗黑艺术
Christianity基督教
Fantasy & Mythology神秘奇幻
Figure & Portrait人物
Floral & Vase花卉
Food & Fruit食物水果
Garden & Country花园乡村小屋
Indoor室内
Landscape风景
Military & War战争
Music & Dancer音乐舞蹈
Paintings of Paintings画中有画
Palace(宫廷)
Plant & Botanical绿植
Pop Art & Vintage波普仿古
Religion & Philosophy宗教哲学
Sculpture & Status雕像
Seascape & Stream海景水景
Sport & Game体育游戏
Still life静物
Street & Road街道
Transportation交通工具
Wild West美国西部
Color
Black黑色
Red红色
Green绿色
Blue蓝色
Brown棕色
Yellow黄色
Grey灰色
Orange橘色
White白色
Purple紫色
Beige米黄色
Turquoise绿松石
Pink(粉色)
Orientation
Search
ITEMS PER PAGE
SORT BY
By Popularity
By Popularity
Painting title(A-Z)
Artist name(A-Z)
Price (Low to High)
Date (New to Old)
Henry Moret
Henry Moret (12 December 1856, Cherbourg – 5 May 1913, Paris) was a French Impressionist painter. He was one of the artists who associated with Gauguin at Pont-Aven in Brittany. Moret first exhibited at the Paris Salon in 1880, presenting La plage de Locqueltas à marée basse; côte de Bretagne. He maintained contacts with Corroller, often returning to Brittany. In 1888, he arrived in Pont-Aven which had begun to attract a number of artists including Ernest de Chamaillard, Émile Jourdan, and Charles Lavant, with Paul Gauguin playing the leading role. Moret was one of the first painters to move to nearby le Pouldu which soon became the new centre of attraction for the Pont-Aven artists. His work began to show signs of Symbolism, probably as a result of Gauguin's influence. After Gauguin left the area in 1891, Moret began to develop his own style. In 1895, he established a fruitful relationship with Paul Durand-Ruel who maintained a number of galleries in Paris, London and New York, with an emphasis on Impressionism. During their relationship, Moret completed over 600 paintings, many of which were exhibited in Paris and New York leading to a growing clientele for his work. Moret also exhibited seven of his Breton paintings at the Salon des Indépendants. After 1900, Moret became more immersed in Impressionism, applying small flecks of paint to his work rather than the broad strokes favoured by the Pont-Aven artists. Increasingly he focused on landscapes where his light effects can be seen in the sunsets and storm scenes he painted around 1909. In addition to his oils for Durand-Ruel, he also completed some 800 watercolours and drawings.
  • Get In Touch

    Toll Free Call: +1-888-472-1867

    Service@art-kingdom.com

    Address:12467 Walsh Ave, 2nd Floor, Los Angeles, CA 90066

    Mon - Sun / 9:00 AM - 8:00 PM

Follow Us:

Copyright ©2010-2024 Art-kingdom.com All Rights Reserved.