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Agnolo di Bronzino
Agnolo di Cosimo (November 17, 1503 – November 23, 1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. His sobriquet, Bronzino, in all probability refers to his relatively dark skin. Bronzino was born in Florence, the son of a butcher. According to his contemporary Vasari, Bronzino was a pupil first of Raffaellino del Garbo, and then of Pontormo, to whom he was apprenticed at 14. Pontormo is thought to have introduced a portrait of Bronzino as a child (seated on a step) into one of his series on Joseph in Egypt now in the National Gallery, London. Pontormo exercised a dominant influence on Bronzino's developing style, and the two were to remain collaborators for most of the former's life. An early example of Bronzino's hand has often been detected in the Capponi Chapel in the church of Santa Felicita by the Ponte Vecchio in Florence. Pontormo designed the interior and executed the altarpiece, the masterly Deposition from the Cross and the sidewall fresco Annunciation. Bronzino apparently was assigned the frescoes on the dome, which however have not survived. Of the four empanelled tondi or roundels depicting each of the evangelists, two were said by Vasari to have been painted by Bronzino. His style however is so similar to his master's that scholars still debate the specific attributions. Towards the end of his life, Bronzino took a prominent part in the activities of the Florentine Accademia delle Arti del Disegno, of which he was a founding member in 1563. The painter Alessandro Allori was his favourite pupil, and Bronzino was living in the Allori family house at the time of his death in Florence in 1572 (Alessandro was also the father of Cristofano Allori). Bronzino spent the majority of his career in Florence.
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Futurism
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Sculptor
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Abstract抽象
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Architecture建筑
Black art暗黑艺术
Christianity基督教
Fantasy & Mythology神秘奇幻
Figure & Portrait人物
Floral & Vase花卉
Food & Fruit食物水果
Garden & Country花园乡村小屋
Indoor室内
Landscape风景
Military & War战争
Music & Dancer音乐舞蹈
Paintings of Paintings画中有画
Palace(宫廷）
Plant & Botanical绿植
Pop Art & Vintage波普仿古
Religion & Philosophy宗教哲学
Sculpture & Status雕像
Seascape & Stream海景水景
Sport & Game体育游戏
Still life静物
Street & Road街道
Transportation交通工具
Wild West美国西部
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Frescoes in the Chapel of Eleonora da Toledo Angel detail
Frescoes in the Chapel of Eleonora da Toledo Angel detail
Agnolo di Bronzino
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Price: $167.74
Portrait of Lucrezia Panciatichi
Portrait of Lucrezia Panciatichi
Agnolo di Bronzino
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Price: $167.36
Noli me Tangere
Noli me Tangere
Agnolo di Bronzino
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Price: $167.42
Right lateral passage of the israelites through the red sea detail
Right lateral passage of the israelites through the red sea detail
Agnolo di Bronzino
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Price: $167.74
Venus Cupid Folly and Time Allegory of the Triumph of Venus
Venus Cupid Folly and Time Allegory of the Triumph of Venus
Agnolo di Bronzino
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Price: $167.42
The Panciatichi Holy Family
The Panciatichi Holy Family
Agnolo di Bronzino
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Price: $167.36
Portrait of Bia Medici Daughter of Cosimo I or Portrait of Bia illegitimate daughter of Cosimo I de Med
Portrait of Bia Medici Daughter of Cosimo I or Portrait of Bia illegitimate daughter of Cosimo I de Med
Agnolo di Bronzino
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Price: $167.42
Portrait of Lucrezia Panciatichi Detail 1
Portrait of Lucrezia Panciatichi Detail 1
Agnolo di Bronzino
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Price: $167.74
Ugolino Martelli
Ugolino Martelli
Agnolo di Bronzino
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Price: $168.06
Portrait of Guidobaldo II della Rovere Duke of Urbino
Portrait of Guidobaldo II della Rovere Duke of Urbino
Agnolo di Bronzino
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Price: $167.36
Portrait of a Lady with a Puppy
Portrait of a Lady with a Puppy
Agnolo di Bronzino
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Price: $167.42
The Panciatichi Holy Family detail
The Panciatichi Holy Family detail
Agnolo di Bronzino
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Price: $167.52
Don Giovanni de Medici 1543 1562 Archbishop of Pisa and Cardinal
Don Giovanni de Medici 1543 1562 Archbishop of Pisa and Cardinal
Agnolo di Bronzino
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Price: $167.52
Bia, The Illegitimate Daughter of Cosimo I de' Medici
Bia, The Illegitimate Daughter of Cosimo I de' Medici
Agnolo di Bronzino
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Price: $167.42
Portrait of Bartolomeo Panciatichi
Portrait of Bartolomeo Panciatichi
Agnolo di Bronzino
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Price: $167.74
Portrait of Ludovico Capponi
Portrait of Ludovico Capponi
Agnolo di Bronzino
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Price: $167.42
Portrait of Eleonora di Toledo and her son Giovanni
Portrait of Eleonora di Toledo and her son Giovanni
Agnolo di Bronzino
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Price: $167.74
St Matthew
St Matthew
Agnolo di Bronzino
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Price: $173.84
Portrait of Eleonora of Toledo
Portrait of Eleonora of Toledo
Agnolo di Bronzino
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Price: $167.42
Portr t of Laura Battiferri wife of sculptor Bartolomeo Ammannati Book detail Sonnets of Petrarch
Portr t of Laura Battiferri wife of sculptor Bartolomeo Ammannati Book detail Sonnets of Petrarch
Agnolo di Bronzino
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Price: $167.74
Agnolo di Bronzino
Agnolo di Cosimo (November 17, 1503 – November 23, 1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. His sobriquet, Bronzino, in all probability refers to his relatively dark skin. Bronzino was born in Florence, the son of a butcher. According to his contemporary Vasari, Bronzino was a pupil first of Raffaellino del Garbo, and then of Pontormo, to whom he was apprenticed at 14. Pontormo is thought to have introduced a portrait of Bronzino as a child (seated on a step) into one of his series on Joseph in Egypt now in the National Gallery, London. Pontormo exercised a dominant influence on Bronzino's developing style, and the two were to remain collaborators for most of the former's life. An early example of Bronzino's hand has often been detected in the Capponi Chapel in the church of Santa Felicita by the Ponte Vecchio in Florence. Pontormo designed the interior and executed the altarpiece, the masterly Deposition from the Cross and the sidewall fresco Annunciation. Bronzino apparently was assigned the frescoes on the dome, which however have not survived. Of the four empanelled tondi or roundels depicting each of the evangelists, two were said by Vasari to have been painted by Bronzino. His style however is so similar to his master's that scholars still debate the specific attributions. Towards the end of his life, Bronzino took a prominent part in the activities of the Florentine Accademia delle Arti del Disegno, of which he was a founding member in 1563. The painter Alessandro Allori was his favourite pupil, and Bronzino was living in the Allori family house at the time of his death in Florence in 1572 (Alessandro was also the father of Cristofano Allori). Bronzino spent the majority of his career in Florence.

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