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Bartholomaeus Spranger
Bartholomeus (Bartholomaeus) Spranger (21 March 1546 – August 1611) was a Flemish Northern Mannerist painter, draughtsman, and etcher. He was born in Antwerp in the Habsburg Netherlands (strictly in the Duchy of Brabant). He is mentioned in Karel van Mander's Schilderboeck. In 1565, after completing his training with Cornelis van Dalem, Jan Mandijn, and Frans Mostaert, he traveled to Paris and Italy.[1] He worked on wall paintings in various churches. At Rome, he became, like El Greco, a protégé of Giulio Clovio. Pope Pius V appointed him court painter in 1570. He was summoned to Vienna by Maximilian II, Holy Roman Emperor, who died soon after his arrival in 1576. But his successor Rudolf II was even more keen to employ him, and in 1581 he was appointed court painter, the court being by then having moved its seat to Prague, where he stayed until his death there in 1611, shortly before Rudolf was deposed. Rudolf arranged a wealthy marriage for him, and his house was a centre for artists in Prague. Aegidius Sadeler, who lived in his house in Prague for some time, and Hendrik Goltzius made engravings of his paintings, spreading Spranger's fame around Europe. Spranger's paintings for Rudolf mostly depict mythological nudes in various complex poses, with some connection to the Emperor's esoteric Late-Renaissance philosophical ideas. His paintings are the most characteristic of the final phase of Northern Mannerism; by far the best collection is in Vienna. His drawings have great energy, in a very free technique.
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Black art暗黑艺术
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Figure & Portrait人物
Floral & Vase花卉
Food & Fruit食物水果
Garden & Country花园乡村小屋
Indoor室内
Landscape风景
Military & War战争
Music & Dancer音乐舞蹈
Paintings of Paintings画中有画
Palace(宫廷）
Plant & Botanical绿植
Pop Art & Vintage波普仿古
Religion & Philosophy宗教哲学
Sculpture & Status雕像
Seascape & Stream海景水景
Sport & Game体育游戏
Still life静物
Street & Road街道
Transportation交通工具
Wild West美国西部
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Venus and Adonis
Venus and Adonis
Bartholomaeus Spranger
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Price: $167.74
Salmacis and Hermaphroditus
Salmacis and Hermaphroditus
Bartholomaeus Spranger
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Price: $167.42
Hermes and Athena
Hermes and Athena
Bartholomaeus Spranger
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Price: $173.38
Venus and Vulcan
Venus and Vulcan
Bartholomaeus Spranger
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Price: $168.22
Vulcan and Maia
Vulcan and Maia
Bartholomaeus Spranger
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Price: $167.34
Adoration of the Kings
Adoration of the Kings
Bartholomaeus Spranger
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Price: $167.64
Allegory of Justice and Prudence
Allegory of Justice and Prudence
Bartholomaeus Spranger
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Price: $167.61
Diana and Actaeon
Diana and Actaeon
Bartholomaeus Spranger
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Price: $167.36
Mars on the battlefield
Mars on the battlefield
Bartholomaeus Spranger
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Price: $173.79
Venus and Adonis
Venus and Adonis
Bartholomaeus Spranger
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Price: $171.64
Bartholomaeus Spranger
Bartholomeus (Bartholomaeus) Spranger (21 March 1546 – August 1611) was a Flemish Northern Mannerist painter, draughtsman, and etcher. He was born in Antwerp in the Habsburg Netherlands (strictly in the Duchy of Brabant). He is mentioned in Karel van Mander's Schilderboeck. In 1565, after completing his training with Cornelis van Dalem, Jan Mandijn, and Frans Mostaert, he traveled to Paris and Italy.[1] He worked on wall paintings in various churches. At Rome, he became, like El Greco, a protégé of Giulio Clovio. Pope Pius V appointed him court painter in 1570. He was summoned to Vienna by Maximilian II, Holy Roman Emperor, who died soon after his arrival in 1576. But his successor Rudolf II was even more keen to employ him, and in 1581 he was appointed court painter, the court being by then having moved its seat to Prague, where he stayed until his death there in 1611, shortly before Rudolf was deposed. Rudolf arranged a wealthy marriage for him, and his house was a centre for artists in Prague. Aegidius Sadeler, who lived in his house in Prague for some time, and Hendrik Goltzius made engravings of his paintings, spreading Spranger's fame around Europe. Spranger's paintings for Rudolf mostly depict mythological nudes in various complex poses, with some connection to the Emperor's esoteric Late-Renaissance philosophical ideas. His paintings are the most characteristic of the final phase of Northern Mannerism; by far the best collection is in Vienna. His drawings have great energy, in a very free technique.

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