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John LaFarge
LaFarge was born in New York City to wealthy French parents and was raised bilingually. His interest in art began during his studies at Mount St. Mary's University in Maryland and St. John's College (now Fordham University) in New York. He initially intended to study law, but this changed after his first visit to Paris, France in 1856.[1] Stimulated by the arts in the city, he studied with Thomas Couture and became acquainted with notable literary people. LaFarge also studied with the painter William Morris Hunt in Newport, Rhode Island. LaFarge's earliest drawings and landscapes, from his studies in Newport, show marked originality, especially in the handling of color values. He was a pioneer in the study of Japanese art, the influence of which is seen in his work. During his life, LaFarge maintained a studio at 51 West 10th Street in Greenwich Village, which now is part of the site of Eugene Lang College at the New School University.[5] Between 1859 and 1870, he illustrated Tennyson's Enoch Arden and Robert Browning's Men and Women. LaFarge made extensive travels in Asia and the South Pacific, which inspired his painting. He visited Japan in 1886, and the South Seas in 1890 and 1891, in particular spending time and absorbing the culture of Tahiti.[1] Henry Adams accompanied him on these trips as a travel companion.[1] He visited Hawaii in September of 1890, where he painted scenic spots on Oahu and traveled to the Island of Hawaii to paint an active volcano.[6] He learned several languages (ancient and modern), and was erudite in literature and art; by his cultured personality and reflective conversation, he influenced many other people. Though naturally a questioner, he venerated the traditions of religious art, and preserved his Catholic faith. On his death in 1910, John LaFarge was interred in the Green-Wood Cemetery in Brooklyn, New York.
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John LaFarge
LaFarge was born in New York City to wealthy French parents and was raised bilingually. His interest in art began during his studies at Mount St. Mary's University in Maryland and St. John's College (now Fordham University) in New York. He initially intended to study law, but this changed after his first visit to Paris, France in 1856.[1] Stimulated by the arts in the city, he studied with Thomas Couture and became acquainted with notable literary people. LaFarge also studied with the painter William Morris Hunt in Newport, Rhode Island. LaFarge's earliest drawings and landscapes, from his studies in Newport, show marked originality, especially in the handling of color values. He was a pioneer in the study of Japanese art, the influence of which is seen in his work. During his life, LaFarge maintained a studio at 51 West 10th Street in Greenwich Village, which now is part of the site of Eugene Lang College at the New School University.[5] Between 1859 and 1870, he illustrated Tennyson's Enoch Arden and Robert Browning's Men and Women. LaFarge made extensive travels in Asia and the South Pacific, which inspired his painting. He visited Japan in 1886, and the South Seas in 1890 and 1891, in particular spending time and absorbing the culture of Tahiti.[1] Henry Adams accompanied him on these trips as a travel companion.[1] He visited Hawaii in September of 1890, where he painted scenic spots on Oahu and traveled to the Island of Hawaii to paint an active volcano.[6] He learned several languages (ancient and modern), and was erudite in literature and art; by his cultured personality and reflective conversation, he influenced many other people. Though naturally a questioner, he venerated the traditions of religious art, and preserved his Catholic faith. On his death in 1910, John LaFarge was interred in the Green-Wood Cemetery in Brooklyn, New York.
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