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John Everett Millais
Sir John Everett Millais, 1st Baronet, PRA (i/ˈmɪleɪ/; 8 June 1829 – 13 August 1896) was an English painter and illustrator and one of the founders of the Pre-Raphaelite Brotherhood. Millais's Christ In The House Of His Parents (1850) was highly controversial because of its realistic portrayal of a working class Holy Family labouring in a messy carpentry workshop. Later works were also controversial, though less so. Millais achieved popular success with A Huguenot (1852), which depicts a young couple about to be separated because of religious conflicts. He repeated this theme in many later works. All these early works were painted with great attention to detail, often concentrating on the beauty and complexity of the natural world. In paintings such as Ophelia (1852) Millais created dense and elaborate pictorial surfaces based on the integration of naturalistic elements. This approach has been described as a kind of "pictorial eco-system". This style was promoted by the critic John Ruskin, who had defended the Pre-Raphaelites against their critics. Millais's friendship with Ruskin introduced him to Ruskin's wife Effie. Soon after they met she modelled for his painting The Order of Release. As Millais painted Effie they fell in love. Despite having been married to Ruskin for several years, Effie was still a virgin. Her parents realized something was wrong and she filed for an annulment. In 1855, after her marriage to Ruskin was annulled, Effie and John Millais married. He and Effie eventually had eight children: Everett, born in 1856; George, born in 1857; Effie, born in 1858; Mary, born in 1860; Alice, born in 1862; Geoffroy, born in 1863; John in 1865; and Sophie in 1868. Their youngest son, John Guille Millais, became a notable naturalist and wildlife artist. Effie's younger sister Sophy Gray sat for several pictures by Millais, prompting some speculation about the nature of their apparently fond relationship.
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My First Sermon
My First Sermon
John Everett Millais
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Price: $167.36
James Wyatt and His Granddaughter Mary
James Wyatt and His Granddaughter Mary
John Everett Millais
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Price: $193.59
Twins Grace and Kate Hoare
Twins Grace and Kate Hoare
John Everett Millais
+ Choose Size & Frame
Price: $167.42
Twins
Twins
John Everett Millais
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Price: $167.42
Pizarro Seizing the Inca of Peru
Pizarro Seizing the Inca of Peru
John Everett Millais
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Price: $205.13
The Piper
The Piper
John Everett Millais
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Price: $201.96
Self Portrait
Self Portrait
John Everett Millais
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Price: $167.80
The Honourable John Nevile Manners
The Honourable John Nevile Manners
John Everett Millais
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Price: $170.50
Hearts are Trumps
Hearts are Trumps
John Everett Millais
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Price: $198.83
Portrait of Lord Alfred Tennyson
Portrait of Lord Alfred Tennyson
John Everett Millais
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Price: $167.61
Clarissa
Clarissa
John Everett Millais
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Price: $171.04
Portrait Of Gracia Lees
Portrait Of Gracia Lees
John Everett Millais
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Price: $168.49
St Bartholemew s Day
St Bartholemew s Day
John Everett Millais
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Price: $168.49
The Order of Release, 1746
The Order of Release, 1746
John Everett Millais
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Price: $168.49
The Nest
The Nest
John Everett Millais
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Price: $167.36
Waiting
Waiting
John Everett Millais
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Price: $167.36
Miss Eveleen Tennant
Miss Eveleen Tennant
John Everett Millais
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Price: $167.80
The Ransom
The Ransom
John Everett Millais
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Price: $168.72
Leisure Hours
Leisure Hours
John Everett Millais
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Price: $202.78
The Knight Errant
The Knight Errant
John Everett Millais
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Price: $168.22
John Everett Millais
Sir John Everett Millais, 1st Baronet, PRA (i/ˈmɪleɪ/; 8 June 1829 – 13 August 1896) was an English painter and illustrator and one of the founders of the Pre-Raphaelite Brotherhood. Millais's Christ In The House Of His Parents (1850) was highly controversial because of its realistic portrayal of a working class Holy Family labouring in a messy carpentry workshop. Later works were also controversial, though less so. Millais achieved popular success with A Huguenot (1852), which depicts a young couple about to be separated because of religious conflicts. He repeated this theme in many later works. All these early works were painted with great attention to detail, often concentrating on the beauty and complexity of the natural world. In paintings such as Ophelia (1852) Millais created dense and elaborate pictorial surfaces based on the integration of naturalistic elements. This approach has been described as a kind of "pictorial eco-system". This style was promoted by the critic John Ruskin, who had defended the Pre-Raphaelites against their critics. Millais's friendship with Ruskin introduced him to Ruskin's wife Effie. Soon after they met she modelled for his painting The Order of Release. As Millais painted Effie they fell in love. Despite having been married to Ruskin for several years, Effie was still a virgin. Her parents realized something was wrong and she filed for an annulment. In 1855, after her marriage to Ruskin was annulled, Effie and John Millais married. He and Effie eventually had eight children: Everett, born in 1856; George, born in 1857; Effie, born in 1858; Mary, born in 1860; Alice, born in 1862; Geoffroy, born in 1863; John in 1865; and Sophie in 1868. Their youngest son, John Guille Millais, became a notable naturalist and wildlife artist. Effie's younger sister Sophy Gray sat for several pictures by Millais, prompting some speculation about the nature of their apparently fond relationship.

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