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Jean Louis Ernest Meissonier
Jean-Louis Ernest Meissonier (21 February 1815 – 31 January 1891) was a French Classicist painter and sculptor famous for his depictions of Napoleon, his armies and military themes. He documented sieges and manoeuvres and was the teacher of Édouard Detaille. Meissonier enjoyed great success in his lifetime, and was acclaimed both for his mastery of fine detail and assiduous craftsmanship. The English art critic John Ruskin examined his work at length under a magnifying glass, "marvelling at Meissonier's manual dexterity and eye for fascinating minutiae". Meissonier's work commanded enormous prices and in 1846 he purchased a great mansion in Poissy, sometimes known as the Grande Maison. The Grande Maison included two large studios, the atelier d'hiver, or winter workshop, situated on the top floor of the house, and at ground level, a glass-roofed annexe, the atelier d'été or summer workshop. Meissonier himself said that his house and temperament belonged to another age, and some, like the critic Paul Mantz for example, criticised the artist's seemingly limited repertoire. Like Alexandre Dumas, he excelled at depicting scenes of chivalry and masculine adventure against a backdrop of pre-Revolutionary and pre-industrial France, specialising in scenes from seventeenth and eighteenth-century life.
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Self Portrait
Self Portrait
Jean Louis Ernest Meissonier
+ Choose Size & Frame
Price: $185.26
General Desaix and the Peasant
General Desaix and the Peasant
Jean Louis Ernest Meissonier
+ Choose Size & Frame
Price: $191.40
Napoleon III at the Battle of Solferino
Napoleon III at the Battle of Solferino
Jean Louis Ernest Meissonier
+ Choose Size & Frame
Price: $208.31
Musketeer
Musketeer
Jean Louis Ernest Meissonier
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Price: $171.64
General
General
Jean Louis Ernest Meissonier
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Price: $201.15
Pulcinella
Pulcinella
Jean Louis Ernest Meissonier
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Price: $169.56
The Reader in White
The Reader in White
Jean Louis Ernest Meissonier
+ Choose Size & Frame
Price: $167.99
Napoleon saluting the 12th Curaissier regiment
Napoleon saluting the 12th Curaissier regiment
Jean Louis Ernest Meissonier
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Price: $205.13
The Sign Painter detail
The Sign Painter detail
Jean Louis Ernest Meissonier
+ Choose Size & Frame
Price: $204.37
The End of the Game of Cards
The End of the Game of Cards
Jean Louis Ernest Meissonier
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Price: $167.50
The Halt
The Halt
Jean Louis Ernest Meissonier
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Price: $167.52
The Barricade
The Barricade
Jean Louis Ernest Meissonier
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Price: $167.64
Soldiers
Soldiers
Jean Louis Ernest Meissonier
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Price: $168.49
Chess Players
Chess Players
Jean Louis Ernest Meissonier
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Price: $190.00
At the Relay Station
At the Relay Station
Jean Louis Ernest Meissonier
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Price: $196.55
The French Campaign
The French Campaign
Jean Louis Ernest Meissonier
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Price: $212.50
Coup De Vent
Coup De Vent
Jean Louis Ernest Meissonier
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Price: $196.55
The Lovers of Painting
The Lovers of Painting
Jean Louis Ernest Meissonier
+ Choose Size & Frame
Price: $167.74
Jena
Jena
Jean Louis Ernest Meissonier
+ Choose Size & Frame
Price: $195.08
The Guide
The Guide
Jean Louis Ernest Meissonier
+ Choose Size & Frame
Price: $167.52
Jean Louis Ernest Meissonier
Jean-Louis Ernest Meissonier (21 February 1815 – 31 January 1891) was a French Classicist painter and sculptor famous for his depictions of Napoleon, his armies and military themes. He documented sieges and manoeuvres and was the teacher of Édouard Detaille. Meissonier enjoyed great success in his lifetime, and was acclaimed both for his mastery of fine detail and assiduous craftsmanship. The English art critic John Ruskin examined his work at length under a magnifying glass, "marvelling at Meissonier's manual dexterity and eye for fascinating minutiae". Meissonier's work commanded enormous prices and in 1846 he purchased a great mansion in Poissy, sometimes known as the Grande Maison. The Grande Maison included two large studios, the atelier d'hiver, or winter workshop, situated on the top floor of the house, and at ground level, a glass-roofed annexe, the atelier d'été or summer workshop. Meissonier himself said that his house and temperament belonged to another age, and some, like the critic Paul Mantz for example, criticised the artist's seemingly limited repertoire. Like Alexandre Dumas, he excelled at depicting scenes of chivalry and masculine adventure against a backdrop of pre-Revolutionary and pre-industrial France, specialising in scenes from seventeenth and eighteenth-century life.

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