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Albert Joseph Moore
Albert Joseph Moore (4 September 1841 – 25 September 1893) was an English painter, known for his depictions of langorous female figures set against the luxury and decadence of the classical world. He was born in York in 1841, the youngest of the fourteen children of the artist William Moore of York who in the first half of the 19th century enjoyed a considerable reputation in the North of England as a painter of portraits and landscape. In his childhood Albert Moore showed an extraordinary love of art, and as he was encouraged in his tastes by his father and brothers, two of whom afterwards became famous as artists — John Collingham Moore and Henry Moore, and he was able to begin the active exercise of his profession at an unusually early age. His first exhibited works were two drawings which he sent to the Royal Academy in 1857. A year later he became a student in the Royal Academy schools; but after working in them for a few months only he decided that he would be more profitably occupied in independent practice. During the period that extended from 1858 to 1870, though he produced and exhibited many pictures and drawings, he gave up much of his time to decorative work of various kinds, and painted, in 1863, a series of wall decorations at Coombe Abbey, the seat of the Earl of Craven; in 1865 and 1866 some elaborate compositions: The Last Supper and The Feeding of the Five Thousand on the chancel walls of the church of St. Alban's, Rochdale; and in 1868 A Greek Play, an important panel in tempera for the proscenium of the Queen's Theatre in Long Acre. His first large canvas, Elijah's Sacrifice, was completed during a stay of some five months in Rome at the beginning of 1863, and appeared at the Academy in 1865. A still larger picture, The Shunamite relating the Glories of King Solomon to her Maidens (Walker Art Gallery, Liverpool), was exhibited in 1866, and with it two smaller works, Apricots and Pomegranates. In these Albert Moore asserted plainly the particular technical conviction that for the rest of his life governed the whole of his practice, and with them he first took his place definitely among the most original of British painters.
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Floral & Vase花卉
Food & Fruit食物水果
Garden & Country花园乡村小屋
Indoor室内
Landscape风景
Military & War战争
Music & Dancer音乐舞蹈
Paintings of Paintings画中有画
Palace(宫廷）
Plant & Botanical绿植
Pop Art & Vintage波普仿古
Religion & Philosophy宗教哲学
Sculpture & Status雕像
Seascape & Stream海景水景
Sport & Game体育游戏
Still life静物
Street & Road街道
Transportation交通工具
Wild West美国西部
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The Gilded fan
The Gilded fan
Albert Joseph Moore
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Price: $210.00
Jasmine
Jasmine
Albert Joseph Moore
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Price: $167.34
A Venus
A Venus
Albert Joseph Moore
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Price: $195.87
Azaleas
Azaleas
Albert Joseph Moore
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Price: $182.69
The Mother of Sisera Looked out a Window
The Mother of Sisera Looked out a Window
Albert Joseph Moore
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Price: $167.34
Topaz
Topaz
Albert Joseph Moore
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Price: $187.57
Forget Me Nots
Forget Me Nots
Albert Joseph Moore
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Price: $200.93
William Connal Esq Jr of Solsgirth
William Connal Esq Jr of Solsgirth
Albert Joseph Moore
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Price: $167.42
Apricots
Apricots
Albert Joseph Moore
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Price: $167.64
The Quartet
The Quartet
Albert Joseph Moore
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Price: $208.31
A Sofa
A Sofa
Albert Joseph Moore
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Price: $228.88
Dreamers
Dreamers
Albert Joseph Moore
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Price: $234.25
A Reverie
A Reverie
Albert Joseph Moore
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Price: $170.50
Sapphires
Sapphires
Albert Joseph Moore
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Price: $225.43
Marigolds
Marigolds
Albert Joseph Moore
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Price: $225.43
A Garden
A Garden
Albert Joseph Moore
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Price: $185.83
Pomegranates
Pomegranates
Albert Joseph Moore
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Price: $201.96
A Sleeping Girl
A Sleeping Girl
Albert Joseph Moore
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Price: $167.42
Shuttlecock
Shuttlecock
Albert Joseph Moore
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Price: $198.33
The Fountain
The Fountain
Albert Joseph Moore
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Price: $217.14
Albert Joseph Moore
Albert Joseph Moore (4 September 1841 – 25 September 1893) was an English painter, known for his depictions of langorous female figures set against the luxury and decadence of the classical world. He was born in York in 1841, the youngest of the fourteen children of the artist William Moore of York who in the first half of the 19th century enjoyed a considerable reputation in the North of England as a painter of portraits and landscape. In his childhood Albert Moore showed an extraordinary love of art, and as he was encouraged in his tastes by his father and brothers, two of whom afterwards became famous as artists — John Collingham Moore and Henry Moore, and he was able to begin the active exercise of his profession at an unusually early age. His first exhibited works were two drawings which he sent to the Royal Academy in 1857. A year later he became a student in the Royal Academy schools; but after working in them for a few months only he decided that he would be more profitably occupied in independent practice. During the period that extended from 1858 to 1870, though he produced and exhibited many pictures and drawings, he gave up much of his time to decorative work of various kinds, and painted, in 1863, a series of wall decorations at Coombe Abbey, the seat of the Earl of Craven; in 1865 and 1866 some elaborate compositions: The Last Supper and The Feeding of the Five Thousand on the chancel walls of the church of St. Alban's, Rochdale; and in 1868 A Greek Play, an important panel in tempera for the proscenium of the Queen's Theatre in Long Acre. His first large canvas, Elijah's Sacrifice, was completed during a stay of some five months in Rome at the beginning of 1863, and appeared at the Academy in 1865. A still larger picture, The Shunamite relating the Glories of King Solomon to her Maidens (Walker Art Gallery, Liverpool), was exhibited in 1866, and with it two smaller works, Apricots and Pomegranates. In these Albert Moore asserted plainly the particular technical conviction that for the rest of his life governed the whole of his practice, and with them he first took his place definitely among the most original of British painters.

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