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Briton Riviere
Briton Rivière (14 August 1840 – 20 April 1920[1]) was an artist born in London, England, of Huguenot descent. His father, William Rivière (1806–1876), was for some years drawing-master at Cheltenham College, and afterwards an art teacher at Oxford University. He was educated at Cheltenham College and at Oxford, where he took his degree in 1867. For his art training he was indebted almost entirely to his father, and early in life made for himself a place of importance among the artists of his time. His paternal uncle Henry Parsons Rivière (1811–1888) was also a noted watercolourist. His first pictures appeared at the British Institution, and in 1857 he exhibited three works at the Royal Academy, but it was not until 1863 that he became a regular contributor to the Academy exhibitions. In that year he was represented by The eve of the Spanish Armada, and in 1864 by a Romeo and Juliet. However, subjects of this kind did not attract him long, for in 1865 he began, with a picture of a Sleeping deerhound, a series of paintings of animal-subjects which later occupied him almost exclusively for the rest of his life. In a lengthy interview published in Chums Boys Annual (No. 256, Vol. V, 4 August 1897) entitled "How I paint animals", Rivière explained some of the practicalities of painting both tame and wild animals: "I have always been a great lover of dogs but I have worked at them so much that I've grown tired of having them about me. However, you can never paint a dog unless you are fond of it. I never work from a dog without the assistance of a man who is well acquainted with animals..... Collies, I think, are the most restless dogs....greyhounds are also very restless, and so are fox-terriers..... The only way to paint wild animals is to gradually accumulate a large number of studies and a great knowledge of the animal itself, before you can paint its picture...... I paint from dead animals as well as from live ones. I have had the body of a fine lioness in my studio..... I have done a great deal of work in the dissecting rooms at the Zoological Gardens from time to time."
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Abstract抽象
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Floral & Vase花卉
Food & Fruit食物水果
Garden & Country花园乡村小屋
Indoor室内
Landscape风景
Military & War战争
Music & Dancer音乐舞蹈
Paintings of Paintings画中有画
Palace(宫廷）
Plant & Botanical绿植
Pop Art & Vintage波普仿古
Religion & Philosophy宗教哲学
Sculpture & Status雕像
Seascape & Stream海景水景
Sport & Game体育游戏
Still life静物
Street & Road街道
Transportation交通工具
Wild West美国西部
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The Miracle of the Gaderene Swine
The Miracle of the Gaderene Swine
Briton Riviere
+ Choose Size & Frame
Price: $208.31
Una and the Lion
Una and the Lion
Briton Riviere
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Price: $200.36
The Lonely Life
The Lonely Life
Briton Riviere
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Price: $172.30
The Night Watch
The Night Watch
Briton Riviere
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Price: $228.88
Garden of Eden
Garden of Eden
Briton Riviere
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Price: $167.42
Sympathy
Sympathy
Briton Riviere
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Price: $167.50
A Blockade Runner
A Blockade Runner
Briton Riviere
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Price: $167.80
Requiescat
Requiescat
Briton Riviere
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Price: $201.15
Temple Leopards
Temple Leopards
Briton Riviere
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Price: $204.37
The King Drinks
The King Drinks
Briton Riviere
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Price: $213.27
Naughty Boy or Compulsory Education
Naughty Boy or Compulsory Education
Briton Riviere
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Price: $167.80
Prometheus
Prometheus
Briton Riviere
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Price: $170.00
Giants at Play
Giants at Play
Briton Riviere
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Price: $219.21
All that was left of the homeward bound
All that was left of the homeward bound
Briton Riviere
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Price: $197.35
Daniel s Answer to the King
Daniel s Answer to the King
Briton Riviere
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Price: $208.31
Apollo playing the Lute
Apollo playing the Lute
Briton Riviere
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Price: $225.37
Companions in Misfortune
Companions in Misfortune
Briton Riviere
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Price: $204.37
St George and the Dragon
St George and the Dragon
Briton Riviere
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Price: $167.89
His Only Friend
His Only Friend
Briton Riviere
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Price: $206.69
Elaine
Elaine
Briton Riviere
+ Choose Size & Frame
Price: $206.69
Briton Riviere
Briton Rivière (14 August 1840 – 20 April 1920[1]) was an artist born in London, England, of Huguenot descent. His father, William Rivière (1806–1876), was for some years drawing-master at Cheltenham College, and afterwards an art teacher at Oxford University. He was educated at Cheltenham College and at Oxford, where he took his degree in 1867. For his art training he was indebted almost entirely to his father, and early in life made for himself a place of importance among the artists of his time. His paternal uncle Henry Parsons Rivière (1811–1888) was also a noted watercolourist. His first pictures appeared at the British Institution, and in 1857 he exhibited three works at the Royal Academy, but it was not until 1863 that he became a regular contributor to the Academy exhibitions. In that year he was represented by The eve of the Spanish Armada, and in 1864 by a Romeo and Juliet. However, subjects of this kind did not attract him long, for in 1865 he began, with a picture of a Sleeping deerhound, a series of paintings of animal-subjects which later occupied him almost exclusively for the rest of his life. In a lengthy interview published in Chums Boys Annual (No. 256, Vol. V, 4 August 1897) entitled "How I paint animals", Rivière explained some of the practicalities of painting both tame and wild animals: "I have always been a great lover of dogs but I have worked at them so much that I've grown tired of having them about me. However, you can never paint a dog unless you are fond of it. I never work from a dog without the assistance of a man who is well acquainted with animals..... Collies, I think, are the most restless dogs....greyhounds are also very restless, and so are fox-terriers..... The only way to paint wild animals is to gradually accumulate a large number of studies and a great knowledge of the animal itself, before you can paint its picture...... I paint from dead animals as well as from live ones. I have had the body of a fine lioness in my studio..... I have done a great deal of work in the dissecting rooms at the Zoological Gardens from time to time."

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