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James Abbott McNeill Whistler
WHISTLER, JAMES ABBOTT McNEILL (1834-1903), American artist, was born at Lowell, Massachusetts, on the 11th of July 1834. His father was Major G. W. Whistler, and his mother one of the Baltimore family of Winans. He was first heard of in Europe in 1857, when he had already been an art student, in Paris, in the studio of Gleyre. His first etchings, those known as The French Set, were the means of bringing him under the notice of certain people interested in art, but the circulation of these first, like that of his later etchings, has always, of necessity, been more limited than their fame. The impressions from each plate are generally few. It was still in etching that Whistler continued his labours, and, coming to London in 1850, it appears, he almost at once addressed himself to the chronicle of the quaint riverside buildings and the craft of the great stream — the Thames "below Bridge." The French Set had included De Hooch - like or Nicholas Maes - like genre pieces, such as La Vieille aux loques, the Marchande de moutarde, and The Kitchen, this last incomparably improved and perfected by the retouching that was accomplished a quarter of a century after the first performance. The Thames series of sixteen etchings, wrought chiefly in 1859, disclosed a new vision of the river, in which there was expressed, with perfect draughtsmanship, with a hitherto unparalleled command of vivacious line, the form of barge and clipper, of warehouse, wharf and waterside tavern. The Pool, Thames Police and Black Lion Wharf are perhaps the finest of this series. Before it was begun, Whistler, ere he left Paris, had proceeded far with a plate, existing only in the state of trial proof, and, in that, of extreme rarity. It is called Paris, lie de la Cite, and has distinct and curious manifestations of a style to be more generally adopted at a later period.
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Renaissance
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Abstract抽象
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Floral & Vase花卉
Food & Fruit食物水果
Garden & Country花园乡村小屋
Indoor室内
Landscape风景
Military & War战争
Music & Dancer音乐舞蹈
Paintings of Paintings画中有画
Palace(宫廷）
Plant & Botanical绿植
Pop Art & Vintage波普仿古
Religion & Philosophy宗教哲学
Sculpture & Status雕像
Seascape & Stream海景水景
Sport & Game体育游戏
Still life静物
Street & Road街道
Transportation交通工具
Wild West美国西部
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A Shop with a Balcony
A Shop with a Balcony
James Abbott McNeill Whistler
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Price: $170.50
Symphony in White No 3
Symphony in White No 3
James Abbott McNeill Whistler
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Price: $206.69
The Thames in Ice
The Thames in Ice
James Abbott McNeill Whistler
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Price: $167.42
The Sleeper
The Sleeper
James Abbott McNeill Whistler
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Price: $167.42
Trouville Grey and Green the Silver Sea
Trouville Grey and Green the Silver Sea
James Abbott McNeill Whistler
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Price: $208.31
Nocturne in Black and Gold The Falling Rocket
Nocturne in Black and Gold The Falling Rocket
James Abbott McNeill Whistler
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Price: $167.36
Arrangement in Blue and Silver The Great Sea
Arrangement in Blue and Silver The Great Sea
James Abbott McNeill Whistler
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Price: $204.37
Nocturne the Solent
Nocturne the Solent
James Abbott McNeill Whistler
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Price: $233.32
The Red Glove
The Red Glove
James Abbott McNeill Whistler
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Price: $170.50
Design for a Mosaic
Design for a Mosaic
James Abbott McNeill Whistler
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Price: $173.79
Arrangement in Black The Lady in the Yellow Buskin Portrait of Lady Archibald Campbell
Arrangement in Black The Lady in the Yellow Buskin Portrait of Lady Archibald Campbell
James Abbott McNeill Whistler
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Price: $184.20
Crepuscule in Flesh Colour and Green Valparaiso
Crepuscule in Flesh Colour and Green Valparaiso
James Abbott McNeill Whistler
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Price: $190.73
Nocturne Grey and Silver
Nocturne Grey and Silver
James Abbott McNeill Whistler
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Price: $222.67
Symphony in White No 2 The Little White Girl
Symphony in White No 2 The Little White Girl
James Abbott McNeill Whistler
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Price: $170.00
Battersea Reach from Lindsey Houses
Battersea Reach from Lindsey Houses
James Abbott McNeill Whistler
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Price: $205.13
Convalescent
Convalescent
James Abbott McNeill Whistler
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Price: $167.80
Morning Glories
Morning Glories
James Abbott McNeill Whistler
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Price: $170.50
Blue and White Covered Urn
Blue and White Covered Urn
James Abbott McNeill Whistler
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Price: $173.01
The Gold Girl Connie Gilchrist
The Gold Girl Connie Gilchrist
James Abbott McNeill Whistler
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Price: $187.57
Symphony in White No 1 The White Girl
Symphony in White No 1 The White Girl
James Abbott McNeill Whistler
+ Choose Size & Frame
Price: $182.69
James Abbott McNeill Whistler
WHISTLER, JAMES ABBOTT McNEILL (1834-1903), American artist, was born at Lowell, Massachusetts, on the 11th of July 1834. His father was Major G. W. Whistler, and his mother one of the Baltimore family of Winans. He was first heard of in Europe in 1857, when he had already been an art student, in Paris, in the studio of Gleyre. His first etchings, those known as The French Set, were the means of bringing him under the notice of certain people interested in art, but the circulation of these first, like that of his later etchings, has always, of necessity, been more limited than their fame. The impressions from each plate are generally few. It was still in etching that Whistler continued his labours, and, coming to London in 1850, it appears, he almost at once addressed himself to the chronicle of the quaint riverside buildings and the craft of the great stream — the Thames "below Bridge." The French Set had included De Hooch - like or Nicholas Maes - like genre pieces, such as La Vieille aux loques, the Marchande de moutarde, and The Kitchen, this last incomparably improved and perfected by the retouching that was accomplished a quarter of a century after the first performance. The Thames series of sixteen etchings, wrought chiefly in 1859, disclosed a new vision of the river, in which there was expressed, with perfect draughtsmanship, with a hitherto unparalleled command of vivacious line, the form of barge and clipper, of warehouse, wharf and waterside tavern. The Pool, Thames Police and Black Lion Wharf are perhaps the finest of this series. Before it was begun, Whistler, ere he left Paris, had proceeded far with a plate, existing only in the state of trial proof, and, in that, of extreme rarity. It is called Paris, lie de la Cite, and has distinct and curious manifestations of a style to be more generally adopted at a later period.

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