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Carl Frederic Aagaard
Danish painter. He left his small town for Denmark's capital to study drawing at the Danish Royal Academy; Copenhagen was the centre of a spectacular resurgence of the arts. The art of the first half of the 19th century in Copenhagen was perhaps the greatest achievement of Denmark's Golden Age. The sculptor Bertel Thorvaldsen and the painter Eckersberg led an artistic renaissance during the Golden Age that produced, with the establishment of an academy in Charlottenborg in 1754, the artists Christen Købke, Jens Juel, Constantin Hansen, Martinus Rørbye, Johan Lundbye, Wilhelm Bendz, and Emanuel Larsen to name a few. The Royal Collections, what was later to become the National Collection after the peaceful transition to a constitutional monarchy, actively supported these new artists, buying these 'modern' pictures the moment they were exhibited. In the face of such disasters as the overwhelming defeat of their famed navy by the British in 1801, the English bombardment of Copenhagen in 1807 that destroyed hundreds of buildings inthe small city and damaged over a thousand, and the declaration of national bankruptcy in 1813 and subsequent loss of Norway, Danish culture flourished with a willful energy and a unique character. Aagaard began his career towards the end of this great period in Denmark but was instructed by the country's great artists while at the Academy. In addition to studying drawing, Aagaard assisted his older brother, a glass engraver at his professional studio. Aagaard next apprenticed in the studio of Hilker, a painter. Aagaard collaborated with Hilker on work at the University and other public monuments. It was his final teacher though, the landscape painter Peter Kristian Skoovgaard, that was to be the most influential. In 1857 Aagaard exhibited for the first time to great success. He continued to exhibit and trips to Switzerland and Italy helped to perfect his style. In 1892 he was honoured with the title 'Professor'. He died in Copenhagen in 1895.
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Abstract Expressionism
Academic Classicism
Aestheticism
Art Nouveau
Ashcan School
Barbizon School
Baroque
Byzantine art
Classicism
Colonial Era
Cubism
Expressionism
Futurism
Golden Age of Illustration
Gothic Art
Hudson River School
Impressionism
Mannerism
Naturalism
Neoclassicism
Newlyn School
Northern Renaissance
Orientalism
Post Impressionism
Pre Raphaelite Brotherhood
Realism
Renaissance
Rococo
Romanticism
Sculptor
Symbolism
Tonalism
Victorian Classicism
Western Art
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Abstract抽象
Animal动物
Architecture建筑
Black art暗黑艺术
Christianity基督教
Fantasy & Mythology神秘奇幻
Figure & Portrait人物
Floral & Vase花卉
Food & Fruit食物水果
Garden & Country花园乡村小屋
Indoor室内
Landscape风景
Military & War战争
Music & Dancer音乐舞蹈
Paintings of Paintings画中有画
Palace(宫廷）
Plant & Botanical绿植
Pop Art & Vintage波普仿古
Religion & Philosophy宗教哲学
Sculpture & Status雕像
Seascape & Stream海景水景
Sport & Game体育游戏
Still life静物
Street & Road街道
Transportation交通工具
Wild West美国西部
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Carl Frederic Aagaard
+ Choose Size & Frame
Price: $208.31
Lodge on Lake Como
Lodge on Lake Como
Carl Frederic Aagaard
+ Choose Size & Frame
Price: $193.59
Pergola in Amalfi
Pergola in Amalfi
Carl Frederic Aagaard
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Price: $205.90
The Rose Garden
The Rose Garden
Carl Frederic Aagaard
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Price: $167.36
A Woodland Scene With Deer
A Woodland Scene With Deer
Carl Frederic Aagaard
+ Choose Size & Frame
Price: $170.00
Carl Frederic Aagaard
Danish painter. He left his small town for Denmark's capital to study drawing at the Danish Royal Academy; Copenhagen was the centre of a spectacular resurgence of the arts. The art of the first half of the 19th century in Copenhagen was perhaps the greatest achievement of Denmark's Golden Age. The sculptor Bertel Thorvaldsen and the painter Eckersberg led an artistic renaissance during the Golden Age that produced, with the establishment of an academy in Charlottenborg in 1754, the artists Christen Købke, Jens Juel, Constantin Hansen, Martinus Rørbye, Johan Lundbye, Wilhelm Bendz, and Emanuel Larsen to name a few. The Royal Collections, what was later to become the National Collection after the peaceful transition to a constitutional monarchy, actively supported these new artists, buying these 'modern' pictures the moment they were exhibited. In the face of such disasters as the overwhelming defeat of their famed navy by the British in 1801, the English bombardment of Copenhagen in 1807 that destroyed hundreds of buildings inthe small city and damaged over a thousand, and the declaration of national bankruptcy in 1813 and subsequent loss of Norway, Danish culture flourished with a willful energy and a unique character. Aagaard began his career towards the end of this great period in Denmark but was instructed by the country's great artists while at the Academy. In addition to studying drawing, Aagaard assisted his older brother, a glass engraver at his professional studio. Aagaard next apprenticed in the studio of Hilker, a painter. Aagaard collaborated with Hilker on work at the University and other public monuments. It was his final teacher though, the landscape painter Peter Kristian Skoovgaard, that was to be the most influential. In 1857 Aagaard exhibited for the first time to great success. He continued to exhibit and trips to Switzerland and Italy helped to perfect his style. In 1892 he was honoured with the title 'Professor'. He died in Copenhagen in 1895.

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