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Aubrey Beardsley
BEARDSLEY, AUBREY VINCENT (1872—1898), English artist in black and white, was born at Brighton on the 24th of August 1872. In 1883 his family settled in London, and in the following year he appeared in public as an “infant musical phenomenon,” playing at several concerts with his sister. In 1888 he obtained a post in an architect’s office, and afterwards one in the Guardian Life and Fire Insurance Company (1889). In 1891, under the advice of Sir Edward Burne-Jones and Puvis de Chavannes, he took up art as a profession. In 1892 he attended the classes at the Westminster School of Art, then under Professor Brown; and from 1893 until his death, at Mentone, on the 16th of March 1898, his work came continually before the public, arousing a storm of criticism and much hostile feeling. Beardsley had an unswerving tendency towards the fantastic of the gloomier and “unwholesome” sort. His treatment of most subjects was revolutionary; he deliberately ignored proportion and perspective, and the “freedom from convention” which he displayed caused his work to be judged with harshness. In certain phases of technique he especially excelled; and his earlier methods of dealing with the single line in conjunction with masses of black are in their way unsurpassed, except in the art of Japan, the country which probably gave his ideas some assistance. He was always an ornamentist, rather than an illustrator; and his work must be judged from that point of view. His frontispiece to Volpone is held by some to be, from this purely technical standpoint, one of the best pen-drawings of the age. His posters for the Avenue theatre and for Mr Fisher Unwin were among the first of the modern cult of that art.
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Futurism
Golden Age of Illustration
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Impressionism
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Newlyn School
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Rococo
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Floral & Vase花卉
Food & Fruit食物水果
Garden & Country花园乡村小屋
Indoor室内
Landscape风景
Military & War战争
Music & Dancer音乐舞蹈
Paintings of Paintings画中有画
Palace(宫廷）
Plant & Botanical绿植
Pop Art & Vintage波普仿古
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Sculpture & Status雕像
Seascape & Stream海景水景
Sport & Game体育游戏
Still life静物
Street & Road街道
Transportation交通工具
Wild West美国西部
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Bon Mots of Smith and Sheridan 38
Bon Mots of Smith and Sheridan 38
Aubrey Beardsley
+ Choose Size & Frame
Price: $167.80
Second frontispiece to An Evil Motherhood
Second frontispiece to An Evil Motherhood
Aubrey Beardsley
+ Choose Size & Frame
Price: $168.80
Chapter heading for Le Morte Darthur 40
Chapter heading for Le Morte Darthur 40
Aubrey Beardsley
+ Choose Size & Frame
Price: $181.27
Bon Mots of Smith and Sheridan 19
Bon Mots of Smith and Sheridan 19
Aubrey Beardsley
+ Choose Size & Frame
Price: $181.27
Design for front cover and titled of The British Barbarians
Design for front cover and titled of The British Barbarians
Aubrey Beardsley
+ Choose Size & Frame
Price: $170.50
Full page border with the initial A for Le Morte Darthur
Full page border with the initial A for Le Morte Darthur
Aubrey Beardsley
+ Choose Size & Frame
Price: $167.34
Illustrations to The Pay of the Pied Piper
Illustrations to The Pay of the Pied Piper
Aubrey Beardsley
+ Choose Size & Frame
Price: $199.59
Grotesque figure of a man wearing a monocle
Grotesque figure of a man wearing a monocle
Aubrey Beardsley
+ Choose Size & Frame
Price: $171.04
Initial V for Ben Jonson his Volpone
Initial V for Ben Jonson his Volpone
Aubrey Beardsley
+ Choose Size & Frame
Price: $170.19
Eight designs the Keynotes series 03
Eight designs the Keynotes series 03
Aubrey Beardsley
+ Choose Size & Frame
Price: $235.00
Bon Mots of Smith and Sheridan 46
Bon Mots of Smith and Sheridan 46
Aubrey Beardsley
+ Choose Size & Frame
Price: $235.95
Six designs the Keynotes series and one for The Barbarous Britishers 01
Six designs the Keynotes series and one for The Barbarous Britishers 01
Aubrey Beardsley
+ Choose Size & Frame
Price: $259.19
Initial V for Ben Jonson his Volpone 3
Initial V for Ben Jonson his Volpone 3
Aubrey Beardsley
+ Choose Size & Frame
Price: $177.93
Cinesian Entreating Myrrhina to Coition
Cinesian Entreating Myrrhina to Coition
Aubrey Beardsley
+ Choose Size & Frame
Price: $168.49
A Repetition of Tristan und Isolde
A Repetition of Tristan und Isolde
Aubrey Beardsley
+ Choose Size & Frame
Price: $168.72
Bon Mots of Smith and Sheridan 21
Bon Mots of Smith and Sheridan 21
Aubrey Beardsley
+ Choose Size & Frame
Price: $171.64
Six designs the Keynotes series and one for The Barbarous Britishers 05
Six designs the Keynotes series and one for The Barbarous Britishers 05
Aubrey Beardsley
+ Choose Size & Frame
Price: $259.19
Lysistrata shielding her Coynte
Lysistrata shielding her Coynte
Aubrey Beardsley
+ Choose Size & Frame
Price: $168.49
Bon Mots of Smith and Sheridan 03
Bon Mots of Smith and Sheridan 03
Aubrey Beardsley
+ Choose Size & Frame
Price: $167.99
The Litany of Mary Magdalen
The Litany of Mary Magdalen
Aubrey Beardsley
+ Choose Size & Frame
Price: $167.52
Aubrey Beardsley
BEARDSLEY, AUBREY VINCENT (1872—1898), English artist in black and white, was born at Brighton on the 24th of August 1872. In 1883 his family settled in London, and in the following year he appeared in public as an “infant musical phenomenon,” playing at several concerts with his sister. In 1888 he obtained a post in an architect’s office, and afterwards one in the Guardian Life and Fire Insurance Company (1889). In 1891, under the advice of Sir Edward Burne-Jones and Puvis de Chavannes, he took up art as a profession. In 1892 he attended the classes at the Westminster School of Art, then under Professor Brown; and from 1893 until his death, at Mentone, on the 16th of March 1898, his work came continually before the public, arousing a storm of criticism and much hostile feeling. Beardsley had an unswerving tendency towards the fantastic of the gloomier and “unwholesome” sort. His treatment of most subjects was revolutionary; he deliberately ignored proportion and perspective, and the “freedom from convention” which he displayed caused his work to be judged with harshness. In certain phases of technique he especially excelled; and his earlier methods of dealing with the single line in conjunction with masses of black are in their way unsurpassed, except in the art of Japan, the country which probably gave his ideas some assistance. He was always an ornamentist, rather than an illustrator; and his work must be judged from that point of view. His frontispiece to Volpone is held by some to be, from this purely technical standpoint, one of the best pen-drawings of the age. His posters for the Avenue theatre and for Mr Fisher Unwin were among the first of the modern cult of that art.

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