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Mannerism
Mannerism is a period of European art that emerged from the later years of the Italian High Renaissance around 1520. It lasted until about 1580 in Italy, when the Baroque style began to replace it, but Northern Mannerism continued into the early 17th century. Stylistically, Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals and restrained naturalism associated with artists such as Leonardo da Vinci, Raphael, and early Michelangelo. Mannerism is notable for its intellectual sophistication as well as its artificial (as opposed to naturalistic) qualities. Mannerism favours compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is notable for its highly florid style and intellectual sophistication. The definition of Mannerism, and the phases within it, continues to be the subject of debate among art historians. For example, some scholars have applied the label to certain early modern forms of literature (especially poetry) and music of the 16th and 17th centuries. The term is also used to refer to some Late Gothic painters working in northern Europe from about 1500 to 1530, especially the Antwerp Mannerists—a group unrelated to the Italian movement. Mannerism also has been applied by analogy to the Silver Age of Latin.
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St Ildefonso
St Ildefonso
El Greco
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Pala delle Stigmate di Santa Caterina
Pala delle Stigmate di Santa Caterina
Domenico di Pace Beccafumi
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The Agony in the Garden
The Agony in the Garden
El Greco
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Allegory of Virtue
Allegory of Virtue
Antonio da Correggio
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St Sebastian
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El Greco
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Mary Magdalen in Penitence
Mary Magdalen in Penitence
El Greco
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Assumption of the Virgin detail of the Apostles
Assumption of the Virgin detail of the Apostles
Antonio da Correggio
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The Virgin Mary
The Virgin Mary
El Greco
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The Purification of the Temple
The Purification of the Temple
El Greco
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Noli me Tangere
Noli me Tangere
Antonio da Correggio
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Adoration of the Shepherds
Adoration of the Shepherds
Abraham Bloemaert
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Frescoes in the Chapel of Eleonora da Toledo Angel detail
Frescoes in the Chapel of Eleonora da Toledo Angel detail
Agnolo di Bronzino
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Christ Healing the Blind
Christ Healing the Blind
El Greco
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Madonna and Child with the Young Saint John
Madonna and Child with the Young Saint John
Antonio da Correggio
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St John the Evangelist
St John the Evangelist
El Greco
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The Apostles Peter and Paul detail of cupola fresco
The Apostles Peter and Paul detail of cupola fresco
Antonio da Correggio
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Madonna with St Francis
Madonna with St Francis
Antonio da Correggio
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Portrait of a Gentleman
Portrait of a Gentleman
El Greco
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Price: $167.64
Right lateral passage of the israelites through the red sea detail
Right lateral passage of the israelites through the red sea detail
Agnolo di Bronzino
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Price: $167.74
The Mystic Marriage of St Catherine
The Mystic Marriage of St Catherine
Antonio da Correggio
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Price: $175.79
Mannerism
Mannerism is a period of European art that emerged from the later years of the Italian High Renaissance around 1520. It lasted until about 1580 in Italy, when the Baroque style began to replace it, but Northern Mannerism continued into the early 17th century. Stylistically, Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals and restrained naturalism associated with artists such as Leonardo da Vinci, Raphael, and early Michelangelo. Mannerism is notable for its intellectual sophistication as well as its artificial (as opposed to naturalistic) qualities. Mannerism favours compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is notable for its highly florid style and intellectual sophistication. The definition of Mannerism, and the phases within it, continues to be the subject of debate among art historians. For example, some scholars have applied the label to certain early modern forms of literature (especially poetry) and music of the 16th and 17th centuries. The term is also used to refer to some Late Gothic painters working in northern Europe from about 1500 to 1530, especially the Antwerp Mannerists—a group unrelated to the Italian movement. Mannerism also has been applied by analogy to the Silver Age of Latin.

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