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Amedeo Modigliani
During the early 1900s in Paris, the Italian painter and sculptor Amedeo Modigliani, b. July 12, 1884, d. Jan. 24, 1920, developed a unique style. Today his graceful portraits and lush nudes at once evoke his name, but during his brief career few apart from his fellow artists were aware of his gifts. Modigliani had to struggle against poverty and chronic ill health, dying of tuberculosis and excesses of drink and drugs at the age of 35. In 1906, Modigliani settled in Paris, where he encountered the works of Henri de Toulouse-Lautrec, Georges Rouault, and Pablo Picasso (in his "blue period") and assimilated their influence, as in The Jewess (1908; private collection, Paris). The strong influence of Paul Cezanne's paintings is clearly evident, both in Modigliani's deliberate distortion of the figure and the free use of large, flat areas of color. His friendship with Constantin Brancusi kindled Modigliani's interest in sculpture, in which he would continue his very personal idiom, distinguished by strong linear rhythms, simple elongated forms, and verticality. Head (1912; Guggenheim Museum, New York City) and Caryatid (1914; Museum of Modern Art, New York City) exemplify his sculptural work, which consists mainly of heads and, less often, of full figures. After 1915, Modigliani devoted himself entirely to painting, producing some of his best work. His interest in African masks and sculpture remains evident, especially in the treatment of the sitters' faces: flat and masklike, with almond eyes, twisted noses, pursed mouths, and elongated necks. Despite their extreme economy of composition and neutral backgrounds, the portraits convey a sharp sense of the sitter's personality, as in Moise Kisling (1915; private collection, Milan). A fine example of Modigliani's figure paintings is a reclining Nude (1917; Guggenheim Museum), an elegant, arresting arrangement of curved lines and planes as well as a striking idealization of feminine sexuality.
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Portrait of Diego Rivera
Portrait of Diego Rivera
Amedeo Modigliani
+ Choose Size & Frame
Price: $167.64
Portrait of Frank Burty Haviland
Portrait of Frank Burty Haviland
Amedeo Modigliani
+ Choose Size & Frame
Price: $167.61
Seated Young Woman
Seated Young Woman
Amedeo Modigliani
+ Choose Size & Frame
Price: $173.79
Leopold Zborowski
Leopold Zborowski
Amedeo Modigliani
+ Choose Size & Frame
Price: $170.00
Seated Nude
Seated Nude
Amedeo Modigliani
+ Choose Size & Frame
Price: $168.49
Caryatid
Caryatid
Amedeo Modigliani
+ Choose Size & Frame
Price: $175.53
Woman s Head
Woman s Head
Amedeo Modigliani
+ Choose Size & Frame
Price: $167.61
Chaim Soutine
Chaim Soutine
Amedeo Modigliani
+ Choose Size & Frame
Price: $168.22
Head of a Young Woman
Head of a Young Woman
Amedeo Modigliani
+ Choose Size & Frame
Price: $172.08
Portrait of Leopold Zborowski
Portrait of Leopold Zborowski
Amedeo Modigliani
+ Choose Size & Frame
Price: $168.22
Portrait of Henri Laurens
Portrait of Henri Laurens
Amedeo Modigliani
+ Choose Size & Frame
Price: $168.06
Lunia Czechowska
Lunia Czechowska
Amedeo Modigliani
+ Choose Size & Frame
Price: $167.34
Head
Head
Amedeo Modigliani
+ Choose Size & Frame
Price: $171.64
Beatrice Hastings
Beatrice Hastings
Amedeo Modigliani
+ Choose Size & Frame
Price: $167.34
Portrait of Moise Kisling
Portrait of Moise Kisling
Amedeo Modigliani
+ Choose Size & Frame
Price: $175.53
Jeanne Hebuterne
Jeanne Hebuterne
Amedeo Modigliani
+ Choose Size & Frame
Price: $168.22
Nude Looking over Her Right Shoulder
Nude Looking over Her Right Shoulder
Amedeo Modigliani
+ Choose Size & Frame
Price: $219.21
Woman Seated in front of a Fireplace
Woman Seated in front of a Fireplace
Amedeo Modigliani
+ Choose Size & Frame
Price: $167.42
The Jewish Woman
The Jewish Woman
Amedeo Modigliani
+ Choose Size & Frame
Price: $167.89
Young Peasant aka The Young Apprentice
Young Peasant aka The Young Apprentice
Amedeo Modigliani
+ Choose Size & Frame
Price: $170.00
Amedeo Modigliani
During the early 1900s in Paris, the Italian painter and sculptor Amedeo Modigliani, b. July 12, 1884, d. Jan. 24, 1920, developed a unique style. Today his graceful portraits and lush nudes at once evoke his name, but during his brief career few apart from his fellow artists were aware of his gifts. Modigliani had to struggle against poverty and chronic ill health, dying of tuberculosis and excesses of drink and drugs at the age of 35. In 1906, Modigliani settled in Paris, where he encountered the works of Henri de Toulouse-Lautrec, Georges Rouault, and Pablo Picasso (in his "blue period") and assimilated their influence, as in The Jewess (1908; private collection, Paris). The strong influence of Paul Cezanne's paintings is clearly evident, both in Modigliani's deliberate distortion of the figure and the free use of large, flat areas of color. His friendship with Constantin Brancusi kindled Modigliani's interest in sculpture, in which he would continue his very personal idiom, distinguished by strong linear rhythms, simple elongated forms, and verticality. Head (1912; Guggenheim Museum, New York City) and Caryatid (1914; Museum of Modern Art, New York City) exemplify his sculptural work, which consists mainly of heads and, less often, of full figures. After 1915, Modigliani devoted himself entirely to painting, producing some of his best work. His interest in African masks and sculpture remains evident, especially in the treatment of the sitters' faces: flat and masklike, with almond eyes, twisted noses, pursed mouths, and elongated necks. Despite their extreme economy of composition and neutral backgrounds, the portraits convey a sharp sense of the sitter's personality, as in Moise Kisling (1915; private collection, Milan). A fine example of Modigliani's figure paintings is a reclining Nude (1917; Guggenheim Museum), an elegant, arresting arrangement of curved lines and planes as well as a striking idealization of feminine sexuality.

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