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James Abbott McNeill Whistler
WHISTLER, JAMES ABBOTT McNEILL (1834-1903), American artist, was born at Lowell, Massachusetts, on the 11th of July 1834. His father was Major G. W. Whistler, and his mother one of the Baltimore family of Winans. He was first heard of in Europe in 1857, when he had already been an art student, in Paris, in the studio of Gleyre. His first etchings, those known as The French Set, were the means of bringing him under the notice of certain people interested in art, but the circulation of these first, like that of his later etchings, has always, of necessity, been more limited than their fame. The impressions from each plate are generally few. It was still in etching that Whistler continued his labours, and, coming to London in 1850, it appears, he almost at once addressed himself to the chronicle of the quaint riverside buildings and the craft of the great stream — the Thames "below Bridge." The French Set had included De Hooch - like or Nicholas Maes - like genre pieces, such as La Vieille aux loques, the Marchande de moutarde, and The Kitchen, this last incomparably improved and perfected by the retouching that was accomplished a quarter of a century after the first performance. The Thames series of sixteen etchings, wrought chiefly in 1859, disclosed a new vision of the river, in which there was expressed, with perfect draughtsmanship, with a hitherto unparalleled command of vivacious line, the form of barge and clipper, of warehouse, wharf and waterside tavern. The Pool, Thames Police and Black Lion Wharf are perhaps the finest of this series. Before it was begun, Whistler, ere he left Paris, had proceeded far with a plate, existing only in the state of trial proof, and, in that, of extreme rarity. It is called Paris, lie de la Cite, and has distinct and curious manifestations of a style to be more generally adopted at a later period.
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Abstract抽象
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Floral & Vase花卉
Food & Fruit食物水果
Garden & Country花园乡村小屋
Indoor室内
Landscape风景
Military & War战争
Music & Dancer音乐舞蹈
Paintings of Paintings画中有画
Palace(宫廷）
Plant & Botanical绿植
Pop Art & Vintage波普仿古
Religion & Philosophy宗教哲学
Sculpture & Status雕像
Seascape & Stream海景水景
Sport & Game体育游戏
Still life静物
Street & Road街道
Transportation交通工具
Wild West美国西部
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The Kitchen
The Kitchen
James Abbott McNeill Whistler
+ Choose Size & Frame
Price: $167.52
The Coast of Brittany
The Coast of Brittany
James Abbott McNeill Whistler
+ Choose Size & Frame
Price: $192.17
The Last of old Westminster
The Last of old Westminster
James Abbott McNeill Whistler
+ Choose Size & Frame
Price: $193.59
Beach Scene
Beach Scene
James Abbott McNeill Whistler
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Price: $173.01
Trafalgar Square Chelsea Snow
Trafalgar Square Chelsea Snow
James Abbott McNeill Whistler
+ Choose Size & Frame
Price: $194.33
Whistler in his Studio
Whistler in his Studio
James Abbott McNeill Whistler
+ Choose Size & Frame
Price: $167.36
The Morning after the Revolution Valparaiso
The Morning after the Revolution Valparaiso
James Abbott McNeill Whistler
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Price: $167.42
The Fire Wheel
The Fire Wheel
James Abbott McNeill Whistler
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Price: $223.61
Nocturne Grey and Gold Snow in Chelsea
Nocturne Grey and Gold Snow in Chelsea
James Abbott McNeill Whistler
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Price: $190.00
Black and Red
Black and Red
James Abbott McNeill Whistler
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Price: $167.64
The Rose Scarf
The Rose Scarf
James Abbott McNeill Whistler
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Price: $167.99
Rotherhithe
Rotherhithe
James Abbott McNeill Whistler
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Price: $167.99
Edward Guthrie Kennedy
Edward Guthrie Kennedy
James Abbott McNeill Whistler
+ Choose Size & Frame
Price: $178.73
The Chelsea Girl
The Chelsea Girl
James Abbott McNeill Whistler
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Price: $177.58
Red and Gold Salute Sunset
Red and Gold Salute Sunset
James Abbott McNeill Whistler
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Price: $203.51
The Japanese Dress
The Japanese Dress
James Abbott McNeill Whistler
+ Choose Size & Frame
Price: $169.56
Arrangement in Flesh Colour and Brown Portrait of Arthur J Eddy
Arrangement in Flesh Colour and Brown Portrait of Arthur J Eddy
James Abbott McNeill Whistler
+ Choose Size & Frame
Price: $193.57
Cremorne Gardens No 2
Cremorne Gardens No 2
James Abbott McNeill Whistler
+ Choose Size & Frame
Price: $247.10
Arrangement in Flesh Colour and Black Portrait of Theodore Duret
Arrangement in Flesh Colour and Black Portrait of Theodore Duret
James Abbott McNeill Whistler
+ Choose Size & Frame
Price: $191.45
Red and Black
Red and Black
James Abbott McNeill Whistler
+ Choose Size & Frame
Price: $169.25
James Abbott McNeill Whistler
WHISTLER, JAMES ABBOTT McNEILL (1834-1903), American artist, was born at Lowell, Massachusetts, on the 11th of July 1834. His father was Major G. W. Whistler, and his mother one of the Baltimore family of Winans. He was first heard of in Europe in 1857, when he had already been an art student, in Paris, in the studio of Gleyre. His first etchings, those known as The French Set, were the means of bringing him under the notice of certain people interested in art, but the circulation of these first, like that of his later etchings, has always, of necessity, been more limited than their fame. The impressions from each plate are generally few. It was still in etching that Whistler continued his labours, and, coming to London in 1850, it appears, he almost at once addressed himself to the chronicle of the quaint riverside buildings and the craft of the great stream — the Thames "below Bridge." The French Set had included De Hooch - like or Nicholas Maes - like genre pieces, such as La Vieille aux loques, the Marchande de moutarde, and The Kitchen, this last incomparably improved and perfected by the retouching that was accomplished a quarter of a century after the first performance. The Thames series of sixteen etchings, wrought chiefly in 1859, disclosed a new vision of the river, in which there was expressed, with perfect draughtsmanship, with a hitherto unparalleled command of vivacious line, the form of barge and clipper, of warehouse, wharf and waterside tavern. The Pool, Thames Police and Black Lion Wharf are perhaps the finest of this series. Before it was begun, Whistler, ere he left Paris, had proceeded far with a plate, existing only in the state of trial proof, and, in that, of extreme rarity. It is called Paris, lie de la Cite, and has distinct and curious manifestations of a style to be more generally adopted at a later period.

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