Free Shippping World Wide! 2024 Summer Sales: 35% Off for Orders Over $100! Coupon Code: SummerCode

+1-888-472-1867

Home  /  Artists  /  Aubrey Beardsley
Aubrey Beardsley
BEARDSLEY, AUBREY VINCENT (1872—1898), English artist in black and white, was born at Brighton on the 24th of August 1872. In 1883 his family settled in London, and in the following year he appeared in public as an “infant musical phenomenon,” playing at several concerts with his sister. In 1888 he obtained a post in an architect’s office, and afterwards one in the Guardian Life and Fire Insurance Company (1889). In 1891, under the advice of Sir Edward Burne-Jones and Puvis de Chavannes, he took up art as a profession. In 1892 he attended the classes at the Westminster School of Art, then under Professor Brown; and from 1893 until his death, at Mentone, on the 16th of March 1898, his work came continually before the public, arousing a storm of criticism and much hostile feeling. Beardsley had an unswerving tendency towards the fantastic of the gloomier and “unwholesome” sort. His treatment of most subjects was revolutionary; he deliberately ignored proportion and perspective, and the “freedom from convention” which he displayed caused his work to be judged with harshness. In certain phases of technique he especially excelled; and his earlier methods of dealing with the single line in conjunction with masses of black are in their way unsurpassed, except in the art of Japan, the country which probably gave his ideas some assistance. He was always an ornamentist, rather than an illustrator; and his work must be judged from that point of view. His frontispiece to Volpone is held by some to be, from this purely technical standpoint, one of the best pen-drawings of the age. His posters for the Avenue theatre and for Mr Fisher Unwin were among the first of the modern cult of that art.
If can not find the art you are searching for, pls use “Request A Quote” to send us your request. We can paint any picture in any size.
FILTER
Style
Abstract Expressionism
Academic Classicism
Aestheticism
Art Nouveau
Ashcan School
Barbizon School
Baroque
Byzantine art
Classicism
Colonial Era
Cubism
Expressionism
Futurism
Golden Age of Illustration
Gothic Art
Hudson River School
Impressionism
Mannerism
Naturalism
Neoclassicism
Newlyn School
Northern Renaissance
Orientalism
Post Impressionism
Pre Raphaelite Brotherhood
Realism
Renaissance
Rococo
Romanticism
Sculptor
Symbolism
Tonalism
Victorian Classicism
Western Art
Subject
Abstract抽象
Animal动物
Architecture建筑
Black art暗黑艺术
Christianity基督教
Fantasy & Mythology神秘奇幻
Figure & Portrait人物
Floral & Vase花卉
Food & Fruit食物水果
Garden & Country花园乡村小屋
Indoor室内
Landscape风景
Military & War战争
Music & Dancer音乐舞蹈
Paintings of Paintings画中有画
Palace(宫廷)
Plant & Botanical绿植
Pop Art & Vintage波普仿古
Religion & Philosophy宗教哲学
Sculpture & Status雕像
Seascape & Stream海景水景
Sport & Game体育游戏
Still life静物
Street & Road街道
Transportation交通工具
Wild West美国西部
Color
Black黑色
Red红色
Green绿色
Blue蓝色
Brown棕色
Yellow黄色
Grey灰色
Orange橘色
White白色
Purple紫色
Beige米黄色
Turquoise绿松石
Pink(粉色)
Orientation
Search
ITEMS PER PAGE
SORT BY
By Popularity
By Popularity
Painting title(A-Z)
Artist name(A-Z)
Price (Low to High)
Date (New to Old)
Aubrey Beardsley
BEARDSLEY, AUBREY VINCENT (1872—1898), English artist in black and white, was born at Brighton on the 24th of August 1872. In 1883 his family settled in London, and in the following year he appeared in public as an “infant musical phenomenon,” playing at several concerts with his sister. In 1888 he obtained a post in an architect’s office, and afterwards one in the Guardian Life and Fire Insurance Company (1889). In 1891, under the advice of Sir Edward Burne-Jones and Puvis de Chavannes, he took up art as a profession. In 1892 he attended the classes at the Westminster School of Art, then under Professor Brown; and from 1893 until his death, at Mentone, on the 16th of March 1898, his work came continually before the public, arousing a storm of criticism and much hostile feeling. Beardsley had an unswerving tendency towards the fantastic of the gloomier and “unwholesome” sort. His treatment of most subjects was revolutionary; he deliberately ignored proportion and perspective, and the “freedom from convention” which he displayed caused his work to be judged with harshness. In certain phases of technique he especially excelled; and his earlier methods of dealing with the single line in conjunction with masses of black are in their way unsurpassed, except in the art of Japan, the country which probably gave his ideas some assistance. He was always an ornamentist, rather than an illustrator; and his work must be judged from that point of view. His frontispiece to Volpone is held by some to be, from this purely technical standpoint, one of the best pen-drawings of the age. His posters for the Avenue theatre and for Mr Fisher Unwin were among the first of the modern cult of that art.
  • Get In Touch

    Toll Free Call: +1-888-472-1867

    Service@art-kingdom.com

    Address:12467 Walsh Ave, 2nd Floor, Los Angeles, CA 90066

    Mon - Sun / 9:00 AM - 8:00 PM

Follow Us:

Copyright ©2010-2024 Art-kingdom.com All Rights Reserved.